Furiosa and the wives do have hope and as the film progresses, Max develops care for his fellow travelers and finally finds hope as well as redemption. Haunted by visions from the past, Max can't afford hope, telling Furiosa that "hope is a mistake." He acts on pure survival instinct, unable to let his guard down and start caring for others, because of the risk of losing them as he lost those he loved in the past. When he realizes he can save Furiosa, Max, and the Wives by wrecking the rig and blocking their pursuers in the canyon, Nux finally achieves his glorious death through sacrifice - this time in service to those he loves.Īs Miller has said, Max begins the movie trapped in his own head, as well as being literally shackled by the War Boys. ![]() Bereft of his former existence, Nux finds companionship, respect, and purpose on the road. ![]() Nux's transformation is represented visually: he begins the film painted in the deathly skeletal white and blackened eye sockets characteristic of the War Boys and, as he bonds with his fellow travelers on the war rig, he gradually takes on a more human appearance. When Nux seizes his chance of glory by blowing up Furiosa's war rig, he flubs the attempt, and his failure is humiliatingly dismissed by Immortan Joe as "mediocre." Everything he knows is lost, including his hope for a glorious death and eternal life in Valhalla. He is a "half-life" boy," riddled with a disease represented by the two huge tumors he dubs Barry and Larry. A violent death in service to his overlord is the only future Nux knows. Furiosa returns to the Citadel a hero, free of her mechanical appendage and having recovered her humanity, ready to lead the Citadel to a new future.īefore leaping to their deaths in battle, the War Boys manically spray their faces chrome and demand that their comrades "witness this!" as they hope to die gloriously and "ride eternal" in Valhalla. Furiosa achieves her redemption when, in the final chase, she kills Immortan Joe by ripping off his face apparatus, simultaneously losing her bionic arm. Dismayed to learn that the Green Place has long been destroyed, Furiosa agrees to Max's plan of returning to the Citadel when he says it could offer some kind of "redemption." As a former lieutenant in Joe's regime, Furiosa has been both a victim of, and complicit in, the violent subjugation of women and the oppression of the Citadel inhabitants. Reaching her destination Furiosa meets the Vuvalini, a female tribe from which she was abducted as a child. "Charlize arguably laid down the finest lead character in an action movie, and that credit is much deserved, in my opinion," Hardy said. Additionally, Charlize Theron was actively involved with Miller in the creation of the Furiosa character (via The New York Times). Miller has featured strong female characters in previous Mad Max films, including the Warrior Woman (Virginia Hey) in "The Road Warrior" and Aunty Entity (Tina Turner) in "Beyond Thunderdome." But Furiosa is the first female in the franchise who achieves equal "road warrior" status with Max. There's a big car chase in the opposite direction." But Miller masterfully takes what reads on paper like a live-action "Wacky Races" episode and imbues it with enough complexity of character, plot, and theme to take the audience on a thrilling emotional journey to a truly cathartic resolution. An accurate summary of the plot would be: "There's a big car chase. "Fury Road" finds Max forming an unlikely alliance with Imperator Furiosa (Charlize Theron) and Nux the War Boy (Nicholas Hoult) as they flee across a desert landscape pursued by the maniacal army of dictator Immortan Joe (Hugh Keays-Byrne). The film continues the adventures of the wandering hero "Mad" Max Rockatansky (Tom Hardy), a former cop whose family was murdered by a biker gang in the original "Mad Max" (1979), sending him spinning off on a path of violent vengeance. ![]() The post-apocalyptic action road movie wowed audiences and critics with its breakneck action sequences, outrageous stunts, beautiful cinematography, and flawless world-building.
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